Fall 2013 ModPo webcast schedule:
(Note: these sessions are live but
video recordings are available immediately afterwards.)
1. Monday, September 9, noon (eastern
time)
2. Wednesday, September 18, 9 PM (eastern time)
3. Wednesday, September 25, 10 AM (eastern time)
4. Wednesday, October 2, noon (eastern time) [a discussion of Stein's "Tender Buttons" with three poets]
5. Tuesday, October 8, 9 PM (eastern time)
6. Wednesday, October 16, 10 AM (eastern time)
7. Wednesday, October 23, noon (eastern time)
8. Tuesday, November 5, noon (eastern time) [live webcast session of PoemTalk on Whitman's "Out of the Cradle Endlessly Rocking"]
9. Wednesday, November 6, 9:30 AM (eastern time) [Please note that Daylight Savings Time ends on November 3.]
10. Thursday, November 14, noon (eastern time) [with invited guests from among the chapter 9.3 poets: Mike Magee, Tracie Morris, Kenneth Goldsmith]
11. Monday, November 18, noon (eastern time) [final words]
2. Wednesday, September 18, 9 PM (eastern time)
3. Wednesday, September 25, 10 AM (eastern time)
4. Wednesday, October 2, noon (eastern time) [a discussion of Stein's "Tender Buttons" with three poets]
5. Tuesday, October 8, 9 PM (eastern time)
6. Wednesday, October 16, 10 AM (eastern time)
7. Wednesday, October 23, noon (eastern time)
8. Tuesday, November 5, noon (eastern time) [live webcast session of PoemTalk on Whitman's "Out of the Cradle Endlessly Rocking"]
9. Wednesday, November 6, 9:30 AM (eastern time) [Please note that Daylight Savings Time ends on November 3.]
10. Thursday, November 14, noon (eastern time) [with invited guests from among the chapter 9.3 poets: Mike Magee, Tracie Morris, Kenneth Goldsmith]
11. Monday, November 18, noon (eastern time) [final words]
For an overview of this free, non-credit, 10-week course on modern and contemporary American poetry, click here.
To enroll, click here.
"I teach horizontally, meaning that while I might begin with a fixed idea of what I'm going to teach that day, I let it drift rhizomatically way off topic, often pulling it back when it gets too far. I rely on non-fixed materials to teach this way; the whole world is at my fingertips. Should I go off on a tangent about John and Rauschenberg and their love relationship as expressed in Rauschenberg's bed, an image of that bed is always a click away. From there, we can head anywhere into the non-fixed universe, be it film, text or sound. And of course, that always takes us elsewhere. As Cage says, 'We are getting nowhere fast.'" 
that anyone has yet got the imaginative measure of that terrifying day six years ago. Certainly our Tolstoy has not crawled out of the rubble. The closest we have, Don DeLillo, succeeded as an essayist-journalist ("In the Ruins of the Future: Reflections on Terror and Loss in the Shadow of September,” Harper’s, December 2001) but, to my mind, failed as a novelist ("Falling Man"). One reason, perhaps, is that the remembered emotion was instantly buried under a pile of cultural junk.' - Tod Gitlin in his review of Susan Faludi's The Terror Dream (written for 
