"The Ghetto Fights," by Marek Edelman, was published in a pamphlet called The Warsaw Ghetto: The 45th Anniversary of the Uprising by Interpress Publishers. Hard-to-find document I've made available through my Holocaust site. Marek Edelman (born December 31, 1922) is a Polish political and social activist, cardiologist, and last living leader of the Warsaw Ghetto Uprising of 1943. For more, go here.
Showing posts with label Warsaw ghetto uprising. Show all posts
Showing posts with label Warsaw ghetto uprising. Show all posts
Monday, August 24, 2009
last leader of the uprising
"The Ghetto Fights," by Marek Edelman, was published in a pamphlet called The Warsaw Ghetto: The 45th Anniversary of the Uprising by Interpress Publishers. Hard-to-find document I've made available through my Holocaust site. Marek Edelman (born December 31, 1922) is a Polish political and social activist, cardiologist, and last living leader of the Warsaw Ghetto Uprising of 1943. For more, go here.
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"I teach horizontally, meaning that while I might begin with a fixed idea of what I'm going to teach that day, I let it drift rhizomatically way off topic, often pulling it back when it gets too far. I rely on non-fixed materials to teach this way; the whole world is at my fingertips. Should I go off on a tangent about John and Rauschenberg and their love relationship as expressed in Rauschenberg's bed, an image of that bed is always a click away. From there, we can head anywhere into the non-fixed universe, be it film, text or sound. And of course, that always takes us elsewhere. As Cage says, 'We are getting nowhere fast.'" 
that anyone has yet got the imaginative measure of that terrifying day six years ago. Certainly our Tolstoy has not crawled out of the rubble. The closest we have, Don DeLillo, succeeded as an essayist-journalist ("In the Ruins of the Future: Reflections on Terror and Loss in the Shadow of September,” Harper’s, December 2001) but, to my mind, failed as a novelist ("Falling Man"). One reason, perhaps, is that the remembered emotion was instantly buried under a pile of cultural junk.' - Tod Gitlin in his review of Susan Faludi's The Terror Dream (written for 
