With Karen Finley, February 12-13, 2012.
Sunday, February 19, 2012
Thursday, March 24, 2011
Wednesday, February 02, 2011
Friday, January 28, 2011
on Feb 9 we remember Bob Lucid again

Philip Lopate comes to the Writers House on February 9 - for our annual Bob Lucid Memorial Program. Listen here for more.
Sunday, January 23, 2011
poem in English & Chinese by Yanrong
Install the Flash plugin to watch this video.
The Chinese poet Yanrong performs his poem, "Prophecy and Carnival," in Chinese, while Charles Bernstein reads an English translation. On December 9, 2010, a group of poets from Wuhan, China, visited the Writers House: Liang Biwen, Liu Yishan, Chen Ying-Song, Tian He, Wang Xinmin, Ke Yumin, Li Ming, Hu Xiang, Liu An. Several American poets read their work in English and listened while the visiting poets read their poems in Chinese.
Thursday, January 20, 2011
north of invention
At the end of his reading tonight at the Kelly Writers House, Fred Wah was joined by Nicole Brossard. They read a poem of hers, together, she reading, of course, the original French, while he read an English translation. A wonderful way to end a long and continuously interesting day of talks and readings, day one of the "North of Invention" program. Be sure tomorrow--Friday, January 21--to watch the live video stream, starting at 10:30 AM eastern time.
Friday, January 14, 2011
introduction to 1960
My introduction to the recent symposium on poetry in 1960. It begins with a look at a late late 1959 essay by Stanley Kunitz predicting that the 1960s will in poetry be a time of consolidation and not of experiment--that experiment was all exhausted, played out.
Thursday, December 23, 2010
the pure products of America
On July 8, 1999, we at the Writers House held our first live interactive webcast. The discussion was all about William Carlos Williams's "To Elsie" (the pure products of America go crazy) from Spring and All. I hosted and was joined by Bob Perelman, Shawn Walker, and Kristen Gallagher. We fielded questions from people watching on the internet, among them Jena Osman and Terrence Diggory. It was streamed as video in RealVideo format and preserved as a video later in the same format. (Those who have RealPlayers installed still can watch the grainy video.) Later we extracted the audio from the video and now we've segmented that audio into topical segments. Here are the segments:
[] Bob Perelman reading "To Elsie" (2:21)
[] Kristen Gallagher on facing alterity (4:30)
[] Al Filreis on the poem's uncertainty (1:54)
[] Bob Perelman and Al Filreis on "the pure products of America" and the issue of control (5:26)
[] Shawn Walker, Al Filreis, Kristen Gallagher and Bob Perelman on Williams' position towards Elsie (6:44)
[] Bob Perelman and Al Filreis on imagination (8:26)
audience comments and Bob Perelman on "peasant traditions" (3:17)
[] Bob Perelman on how the open architecture and "unsuccessful" quality of Williams' poems are relevant to poetics today
[] Al Filreis on Williams' attraction to the new "mixed" American culture
Here is the link to the page with links to audio and video.PennSound's Williams page includes eight recordings of the poet reading this poem. Check them out! Here is the text of the poem:
The pure products of America
go crazy--
mountain folk from Kentucky
or the ribbed north end of
Jersey
with its isolate lakes and
valleys, its deaf-mutes, thieves
old names
and promiscuity between
devil-may-care men who have taken
to railroading
out of sheer lust of adventure--
and young slatterns, bathedin filth
from Monday to Saturday
to be tricked out that night
with gauds
from imaginations which have no
peasant traditions to give them
character
but flutter and flaunt
sheer rags-succumbing without
emotion
save numbed terror
under some hedge of choke-cherry
or viburnum-
which they cannot express--
Unless it be that marriage
perhaps
with a dash of Indian blood
will throw up a girl so desolate
so hemmed round
with disease or murder
that she'll be rescued by an
agent--
reared by the state and
sent out at fifteen to work in
some hard-pressed
house in the suburbs--
some doctor's family, some Elsie--
voluptuous water
expressing with broken
brain the truth about us--
her great
ungainly hips and flopping breasts
addressed to cheap
jewelry
and rich young men with fine eyes
as if the earth under our feet
were
an excrement of some sky
and we degraded prisoners
destined
to hunger until we eat filth
while the imagination strains
after deer
going by fields of goldenrod in
the stifling heat of September
Somehow
it seems to destroy us
It is only in isolate flecks that
something
is given off
No one
to witness
and adjust, no one to drive the car
Wednesday, December 22, 2010
paid summer internships
Today we announced our summer 2011 RealArts@PENN paid internships. Click here for more. We created this program because we began to feel that the standard summer internship--especially in the arts--was exploitative. Orgs and companies want free smart help from college students desperate for a line on the resume and "real" "experience." An already bad trend has gotten worse because of the bad economy and because in newspapers and publishing there are the additional pressures of the changing "business plan." Our internships have been created each through a special partnership. Since we pay the stipend we are able to shape the process of selection (although finally the interns are chosen by the staff of the host entities).
romantic and neo-romantic poems (audio)
At left: William Blake, "The Ancient of Days," 1794.On October 7, 2009, Jerome Rothenberg and Jeffrey Robinson, editors of the third volume of Poems for the Millenium, came to the Writers House, gathering some friends and colleagues - and we all put on a show: readings from the anthology of romantic and post- and neo-romantic poems. The readings ranged from Black to Heine to Whitman to Perelman.
Now we (thanks to the talented Anna Zalokostas) present a fully segmented set of recordings from this event.
Download some romantic poems to your iPod this holiday and listen while you shop or while you drop.
Here is a link to the PennSound page, and here, below, are the segments described:
- - -
Jerome Rothenberg and Jeffery Robinson reading "The Ancient Poets" and "The Voice of the Devil" from William Blake's The Marriage of Heaven and Hell; "Athenaeum Fragment 116" from Friedrich Karl Vilhelm von Schlegel; "To Richard Woodhouse, 27 October 1818" from John Keats; an excerpt from Elizabeth Barrett Browning's Aurora Leigh, Fifth Book; and "An Archaic Torso of Apollo" from Rainer Maria Rilke (11:51)
Charles Bernstein reading a poem after Edward Lear's "The Old Man of Whitehaven"; CB tr. of an 1847 poem from Victor Hugo's Les Contemplations; "The Ballad of Burdens" from Algernon Charles Swinburne; CB tr. of Heinrich Heine's "Der Tod, das ist die kühle Nacht" followed by poem after "Der Tod" from Shadowtime; his own "The Introvert," after William Wordsworth's "The Hermit"; excerpt from Walt Whitman's "RESPONDEZ!"; CB tr. of Charles Baudelaire's "Enivrez-vous": "Be Drunken"; William Blake's "The Sick Rose" from Song of Experience (12:12)
Jerome Rothenberg reading a Samuel Taylor Coleridge and JR tr. of Johann Wolfgang von Goethe's "Mignon's Song"; Coleridge on urine (3:38)
Rachel Blau DuPlessis reading from William Wordsworth's The Prelude, Book Five; followed by a brief selection from her own "Wanderer" (12:04)
Jeffery Robinson reading "Ode: Composed on A May Morning" by William Wordsworth; followed by his own "Vernal Song of Blithe May after William Wordworth"; an excerpt from Wordworth's "The Triad"; his own "Poem on the Letter 'A'" (6:29)
George Economou reading "The Shark" from Dionysios Solomos; "The Maldive Shark" from Herman Melville; "Shipwrecks and Sharks" from Isidore Ducassee, comte de Lautreamont; his own "The Amorous Drift of the First Hoplite on the Right Wing" (13:33) [At right: George Economou reading from Melville.]Jerome Rothenberg reading "On the Medusa of Leonardo Da Vinci in the Florentine Gallery" from Percy Bysshe Shelley (3:02)
Rochelle Owens reading "Judith" from Adah Isaacs Menken; her own "Song from Out of Ur" (16:05)
Jeffery Robinson reading Emily Dickinson's "I think I was enchanted" (1:50)
Bob Perelman reading his own work "Transcription" (13:33)
Jerome Rothenberg reading his own poem "Romantic Dadas, for Jeffrey Robinson" (1:23)
Monday, December 13, 2010
recordings of 1960 symposium now available
Install the Flash plugin to watch this video.
Now available at PennSound:
* segmented audio recordings of Snelson on Cage, Kaufman on Guest, Perelman on Donald Allen, Nichols on Berkson/O'Hara, Silliman on Duncan, Goldman on Brooks, Funkhouser on Mac Low, Gallagher on Baraka, Hennessey on Daisy Aldan, DuPlessis on O'Hara, and Bernstein on Eigner;
* audio recording of the complete program (downloadable mp3)
* video recording of the complete program
Click on the video player above for (obviously) the video, or go here for links to the video and all audio: link.
Friday, December 10, 2010
poets from Wuhan, China
Yesterday morning (12/9/10), a large delegation of poets from Wuhan, China, visited the Writers House. For nearly all of them, this was the first visit to the U.S. Getting visas, dealing with protocols, was a major business, as you can imagine--much of it, on our end, handled nobly by Charles Bernstein, who, with Marjorie Perloff, chairs our Chinese/American Association of Poetry and Poetics (CAAP, which is housed at the Center for Programs in Contemporary Writing here at Penn). After a welcome and reception, poems by the Chinese poets were performed--by the author himself or herself, and, in translation, by one of the KWH-affiliated poets. Then poems by these American poets were read in English and then in new Chinese translations by various Wuhan poets. Gifts were exchanged and promises to do more collaborating were made. Of course we made both video and audio recordings of the event. We're pretty excited that presumably for the first time poems by certain contemporary American poets, translated into Chinese, will now be available to Chinese poets and scholars of contemporary poetry any time through the web, e.g. Bob Perelman's "China," Michelle Taransky's "Banking Rules," Charles Bernstein's "Let's Just Say," Gregory Djanikian's "Years Later."
Patti Smith at the Writers House



We had the pleasure of hanging out with Patti Smith at the Kelly Writers House last night. The highlight was an interview/discussion moderated by Anthony DeCurtis. The event was the fifth in our Blutt Singer-songwriter Symposia. Our previous Blutt visitors: Steve Earle, Suzanne Vega, Rosanne Cash, and Rufus Wainwright (Rufus is being rescheduled, actually). Some of these sessions were recorded so take a look at our Blutt page and enjoy.
Tuesday, December 07, 2010
1960 last night

Bob Perelman presenting on Don Allen's "New American" anthology and Mel Nichols talking about the Bill Berkson/Frank O'Hara collaboration at the 1960 symposium last night at the Kelly Writers House. Stay tuned for video and audio recordings and, later, transcripts of the discussion and various essays in response.
Sunday, December 05, 2010
January at the Writers House
Click here to listen to a summary of January 2011 events at the Writers House - including the several-day "North of Invention" program, a gallery exhibit of photographs by Linh Dinh, our annual "Mind of Winter" event, and the 5th birthday celebration of our Common Press. The photograph here, taken by John Carroll at the 2008 Mind of Winter program, gives you a sense of the fabulous soup we make on that wintry evening - or at least of the pleasure taken from said soup by Michelle Taransky.
Monday, November 22, 2010
Writers House turns 15 - a short YouTube video
Jacquie Posey took some video at our recent 15th anniversary event at the Writers House - a reading given by four alumni writers. Then Jacquie edited it and has posted it to Penn's YouTube channel. Please watch when you have a moment. Here is a link to our web calendar entry for the event--which features links to the full video and audio of each of the four readings, plus my introduction.
Friday, November 19, 2010
Ammiel Alcalay
Sunday, November 14, 2010
Ammiel Alcalay on Wednesday
At right: Ammiel Alcalay reads a Ladino poem at Tuli Kupferberg's memorial reading.Poet, novelist, essayist, translator, and scholar of Hebrew and Jewish literature of the Middle East Ammiel Alcalay will give a reading at the Kelly Writers House this week (what a week upcoming it is!): on Wednesday, 11/17/10, starting at 6 PM. For much more, go here.
Earlier the same day, Ammiel and I, and two others, will record a session of PoemTalk on John Wieners.
Susan Bee retrospective - opening this week
Brodsky Gallery Opening – with a talk by the artist
Tuesday, November 16, 2010
6:00 PM in the Arts Cafe
co-sponsored by: Femininsm/s and the Wexler Family Fund
Susan Bee is an artist, editor and designer who works and lives in New York City. Her work examines and questions intersections of identity, gender roles and secular Jewish culture. As an artist, she believes strongly in the role of the imagination and the importance of poetry, humor, irony, memory, and fantasy in art. She also believes in idiosyncratic, individualistic, and eccentric art making. She has published six artist's books with Granary Books, including collaborations with poets: Bed Hangings, with Susan Howe, A Girl's Life, with Johanna Drucker, Log Rhythms and Little Orphan Anagram with Charles Bernstein and The Burning Babe and Other Poems with Jerome Rothenberg. She is coeditor of M/E/A/N/I/N/G: An Anthology of Artist's Writings, Theory, and Criticism, with writings by over 100 artists, critics, and poets, published by Duke University Press in 2000. She was the coeditor of M/E/A/N/I/N/G: A Journal of Contemporary Art Issues from 1986-1996 and is the coeditor of M/E/A/N/I/N/G Online.




"I teach horizontally, meaning that while I might begin with a fixed idea of what I'm going to teach that day, I let it drift rhizomatically way off topic, often pulling it back when it gets too far. I rely on non-fixed materials to teach this way; the whole world is at my fingertips. Should I go off on a tangent about John and Rauschenberg and their love relationship as expressed in Rauschenberg's bed, an image of that bed is always a click away. From there, we can head anywhere into the non-fixed universe, be it film, text or sound. And of course, that always takes us elsewhere. As Cage says, 'We are getting nowhere fast.'"
that anyone has yet got the imaginative measure of that terrifying day six years ago. Certainly our Tolstoy has not crawled out of the rubble. The closest we have, Don DeLillo, succeeded as an essayist-journalist ("In the Ruins of the Future: Reflections on Terror and Loss in the Shadow of September,” Harper’s, December 2001) but, to my mind, failed as a novelist ("Falling Man"). One reason, perhaps, is that the remembered emotion was instantly buried under a pile of cultural junk.' - Tod Gitlin in his review of Susan Faludi's The Terror Dream (written for
