Over at Lemon Hound, we have a good, bad, ugly roundup of the year in poetry & visual arts (and a bit from other genres too). There's this:"The big American poetry sites: Ubu.Web and Penn Sound thank you, thank you, thank you Kenny, Al Filreis, Charles Bernstein--these resources are amazing. The Poetry Foundation comes third after those two, and yah, the PF has much, much more money. But money is only useful if its used. And used with vision. The Harriet blog is a fantastic start. How did Kenny Goldsmith create UBU? More people should be talking to him about that."
And also this:
"Poem Talk has some great episodes."
Note that PoemTalk is a collaborative project: PennSound, the Kelly Writers House, and the Poetry Foundation.
"I teach horizontally, meaning that while I might begin with a fixed idea of what I'm going to teach that day, I let it drift rhizomatically way off topic, often pulling it back when it gets too far. I rely on non-fixed materials to teach this way; the whole world is at my fingertips. Should I go off on a tangent about John and Rauschenberg and their love relationship as expressed in Rauschenberg's bed, an image of that bed is always a click away. From there, we can head anywhere into the non-fixed universe, be it film, text or sound. And of course, that always takes us elsewhere. As Cage says, 'We are getting nowhere fast.'" 
that anyone has yet got the imaginative measure of that terrifying day six years ago. Certainly our Tolstoy has not crawled out of the rubble. The closest we have, Don DeLillo, succeeded as an essayist-journalist ("In the Ruins of the Future: Reflections on Terror and Loss in the Shadow of September,” Harper’s, December 2001) but, to my mind, failed as a novelist ("Falling Man"). One reason, perhaps, is that the remembered emotion was instantly buried under a pile of cultural junk.' - Tod Gitlin in his review of Susan Faludi's The Terror Dream (written for 
