The Regenstein Library at the University of Chicago. On my own list of the top five most beautiful ugly buildings in the world, it's number 3. It's a Skidmore, Owings, and Merrill building, completed in 1970. It stands on the former grounds of the great Stagg Field. (Think about that as a symbol of a university: Hutchins got rid of the football team in 1931 or something like that. Big controversial move. So build a library on the site--just to press the symbolic shift to academics--by 1935. Goodness knows, there were New Deal stimulus dollars around to do so, and Hutchins was a good fund-raiser. No**, get rid to the football program and then take 40 years to build on top of it.)** Of course there are probably 100 stories about why this makes sense. And wasn't it under the stadium that the A-bomb research was first done?
"I teach horizontally, meaning that while I might begin with a fixed idea of what I'm going to teach that day, I let it drift rhizomatically way off topic, often pulling it back when it gets too far. I rely on non-fixed materials to teach this way; the whole world is at my fingertips. Should I go off on a tangent about John and Rauschenberg and their love relationship as expressed in Rauschenberg's bed, an image of that bed is always a click away. From there, we can head anywhere into the non-fixed universe, be it film, text or sound. And of course, that always takes us elsewhere. As Cage says, 'We are getting nowhere fast.'" 
that anyone has yet got the imaginative measure of that terrifying day six years ago. Certainly our Tolstoy has not crawled out of the rubble. The closest we have, Don DeLillo, succeeded as an essayist-journalist ("In the Ruins of the Future: Reflections on Terror and Loss in the Shadow of September,” Harper’s, December 2001) but, to my mind, failed as a novelist ("Falling Man"). One reason, perhaps, is that the remembered emotion was instantly buried under a pile of cultural junk.' - Tod Gitlin in his review of Susan Faludi's The Terror Dream (written for 
