"Whenever We Feel Like It" is a new poetry series. It's put on by Committee of Vigilance members Michelle Taransky and Emily Pettit. The Committee of Vigilance is a subdivision of Sleepy Lemur Quality Enterprises, which is the production division of The Meeteetzee Institute. Yeah, yeah. There have been three readings so far, the most recent quite recent: October 21. Click here for information about all three events and audio recordings divided by poet. On October 21: Sanae Lemoine, Joshua Harmon, and Andrew Zawacki.
Thursday, October 29, 2009
the whenever-we-feel-like-it aesthetic thrives
"Whenever We Feel Like It" is a new poetry series. It's put on by Committee of Vigilance members Michelle Taransky and Emily Pettit. The Committee of Vigilance is a subdivision of Sleepy Lemur Quality Enterprises, which is the production division of The Meeteetzee Institute. Yeah, yeah. There have been three readings so far, the most recent quite recent: October 21. Click here for information about all three events and audio recordings divided by poet. On October 21: Sanae Lemoine, Joshua Harmon, and Andrew Zawacki.
"I teach horizontally, meaning that while I might begin with a fixed idea of what I'm going to teach that day, I let it drift rhizomatically way off topic, often pulling it back when it gets too far. I rely on non-fixed materials to teach this way; the whole world is at my fingertips. Should I go off on a tangent about John and Rauschenberg and their love relationship as expressed in Rauschenberg's bed, an image of that bed is always a click away. From there, we can head anywhere into the non-fixed universe, be it film, text or sound. And of course, that always takes us elsewhere. As Cage says, 'We are getting nowhere fast.'" 
that anyone has yet got the imaginative measure of that terrifying day six years ago. Certainly our Tolstoy has not crawled out of the rubble. The closest we have, Don DeLillo, succeeded as an essayist-journalist ("In the Ruins of the Future: Reflections on Terror and Loss in the Shadow of September,” Harper’s, December 2001) but, to my mind, failed as a novelist ("Falling Man"). One reason, perhaps, is that the remembered emotion was instantly buried under a pile of cultural junk.' - Tod Gitlin in his review of Susan Faludi's The Terror Dream (written for 
