When the gospel garage-rock we had so tolerantly been appreciating came to an abrupt end, Lon Solomon's face appeared like the Wizard of Oz on shining silver screens. A shiver ran down my spine and kept running as his dark mouth opened wide around words like "trustworthiness" and "veracity". My discomfort came on so strong because, well, Lon is an atavistic crossbreed of game-show host and far-right cult leader, fluffing his feathers in high perch as the Senior Pastor of the McLean Bible Church. His position gives him the opportunity to preach to ten-thousand people every week, offering sermons that cover the burning bush, gay marriage, and everything he misrepresents in between.That's the opening paragraph of the latest (final?) blog entry posted to a blog titled "religioUSA" - written by students Kim Eisler, Hannah McDonnell, Sarah Souli, and Adrian Pelliccia. They traveled to Florida recently to study--for a second year--the role and function of the mega-church in southern culture.
"I teach horizontally, meaning that while I might begin with a fixed idea of what I'm going to teach that day, I let it drift rhizomatically way off topic, often pulling it back when it gets too far. I rely on non-fixed materials to teach this way; the whole world is at my fingertips. Should I go off on a tangent about John and Rauschenberg and their love relationship as expressed in Rauschenberg's bed, an image of that bed is always a click away. From there, we can head anywhere into the non-fixed universe, be it film, text or sound. And of course, that always takes us elsewhere. As Cage says, 'We are getting nowhere fast.'" 
that anyone has yet got the imaginative measure of that terrifying day six years ago. Certainly our Tolstoy has not crawled out of the rubble. The closest we have, Don DeLillo, succeeded as an essayist-journalist ("In the Ruins of the Future: Reflections on Terror and Loss in the Shadow of September,” Harper’s, December 2001) but, to my mind, failed as a novelist ("Falling Man"). One reason, perhaps, is that the remembered emotion was instantly buried under a pile of cultural junk.' - Tod Gitlin in his review of Susan Faludi's The Terror Dream (written for 
