In my imagination (I never met him), Fussell had always been what an English professor should be: erudite, frank, worldly, unworldly, acerbic: library and cosmopolis unto himself. When, out of the blue, I was asked to adjunct a nonfiction writing class at Penn, I said yes, even though, as the crow flies, the gig made absolutely no sense. Every week I headed down to Philly on Amtrak, and every week I faced down the same revelation: that instead of the runnels of blood-strewn ditches, my prose is filled with pita chips, iced coffee, Facebook, and procrastination. Nonetheless, we front our losses as they come. I taught my class as honestly as I knew how; I loved my students; and every week, autumn falling over West Philly, I threw the black bag back over my shoulder, still blessedly heavier than itself, and the sum of its contents.
(Here is the course Steve Metcalf taught for us.)



"I teach horizontally, meaning that while I might begin with a fixed idea of what I'm going to teach that day, I let it drift rhizomatically way off topic, often pulling it back when it gets too far. I rely on non-fixed materials to teach this way; the whole world is at my fingertips. Should I go off on a tangent about John and Rauschenberg and their love relationship as expressed in Rauschenberg's bed, an image of that bed is always a click away. From there, we can head anywhere into the non-fixed universe, be it film, text or sound. And of course, that always takes us elsewhere. As Cage says, 'We are getting nowhere fast.'"
that anyone has yet got the imaginative measure of that terrifying day six years ago. Certainly our Tolstoy has not crawled out of the rubble. The closest we have, Don DeLillo, succeeded as an essayist-journalist ("In the Ruins of the Future: Reflections on Terror and Loss in the Shadow of September,” Harper’s, December 2001) but, to my mind, failed as a novelist ("Falling Man"). One reason, perhaps, is that the remembered emotion was instantly buried under a pile of cultural junk.' - Tod Gitlin in his review of Susan Faludi's The Terror Dream (written for
