Wordsalad features a short entry on PennSound and in particular points out as useful my podcast called "PennSound pedagogy", "which discusses the reasons for setting up this audio archive and how educators can use it. For example, how can a teacher help students make a connection between Emily Dickinson and a contemporary poet like Rae Armantrout?"But Wordsalad is not primarily a blog. It's "a weekly radio program on WSUM featuring recordings of contemporary authors reading from their own works. Imagine you’re a commuter in a station of the Metro, hearing bits and snatches of conversation as you pass by Modernist, experimental, performance poets, and Language writers. Wordsalad streams live on Thursdays from 1 to 2 pm Central at www.wsum.org and airs at 91.7 FM in Madison, Wisconsin."
www.wsum.org is Madison Student Radio - and naturally you can listening to a live stream. I'm listening as I write this: The Weakerthans are singing a song from their album Left & Leaving: extremely quiet punk (that possible?). Try this one.
Of course for the most interesting radio internet stream, there's FMU, independent freeform radio. FMU gives you ten or more options for internet listening.
"I teach horizontally, meaning that while I might begin with a fixed idea of what I'm going to teach that day, I let it drift rhizomatically way off topic, often pulling it back when it gets too far. I rely on non-fixed materials to teach this way; the whole world is at my fingertips. Should I go off on a tangent about John and Rauschenberg and their love relationship as expressed in Rauschenberg's bed, an image of that bed is always a click away. From there, we can head anywhere into the non-fixed universe, be it film, text or sound. And of course, that always takes us elsewhere. As Cage says, 'We are getting nowhere fast.'" 
that anyone has yet got the imaginative measure of that terrifying day six years ago. Certainly our Tolstoy has not crawled out of the rubble. The closest we have, Don DeLillo, succeeded as an essayist-journalist ("In the Ruins of the Future: Reflections on Terror and Loss in the Shadow of September,” Harper’s, December 2001) but, to my mind, failed as a novelist ("Falling Man"). One reason, perhaps, is that the remembered emotion was instantly buried under a pile of cultural junk.' - Tod Gitlin in his review of Susan Faludi's The Terror Dream (written for 
