Back in October 2003 the Writers House hosted a weekend-long gathering called "Poet-invasion Poetics." On Friday night we went around the room (Arts Cafe at KWH) and most participants read and/or talked. We recorded this session. The next night we held a giant group reading. Among the seminar participants: Rod Smith, Mark McMorris, Ron Silliman, Michael Fried, Erica Hunt, Tracie Morris, Saskia Hamilton, Tim Carmody, Jo Park, Jessica Lowenthal, Kathy Lou Schultz. Recently Jenny Lesser went back to Fanny Howe's Friday night reading. Jenny listened to the recording and segmented the two poems. They are: "Far and Near" and the poem called "2002". Of course we've added these to PennSound's Fanny Howe page.
"I teach horizontally, meaning that while I might begin with a fixed idea of what I'm going to teach that day, I let it drift rhizomatically way off topic, often pulling it back when it gets too far. I rely on non-fixed materials to teach this way; the whole world is at my fingertips. Should I go off on a tangent about John and Rauschenberg and their love relationship as expressed in Rauschenberg's bed, an image of that bed is always a click away. From there, we can head anywhere into the non-fixed universe, be it film, text or sound. And of course, that always takes us elsewhere. As Cage says, 'We are getting nowhere fast.'" 
that anyone has yet got the imaginative measure of that terrifying day six years ago. Certainly our Tolstoy has not crawled out of the rubble. The closest we have, Don DeLillo, succeeded as an essayist-journalist ("In the Ruins of the Future: Reflections on Terror and Loss in the Shadow of September,” Harper’s, December 2001) but, to my mind, failed as a novelist ("Falling Man"). One reason, perhaps, is that the remembered emotion was instantly buried under a pile of cultural junk.' - Tod Gitlin in his review of Susan Faludi's The Terror Dream (written for 
