In February 2004 I interviewed Lyn Hejinian before a live audience. Just today (thanks to the efforts of Rebekah Caton) we've divided the full audio recording of that interview into topical segments. Here is a link to page with the list of topics and links to the mp3 files. And here's the list of topics:
1. introduction (5:37): [listen] MP3
2. on Carl Rakosi (1:55): [listen] MP3
3. on "The Fatalist" (15:31): [listen] MP3
4. on Barbarism (4:18): [listen] MP3
5. the western desire to describe (4:11): [listen] MP3
6. "My Life" and compositional practice (2:09): [listen] MP3
7. younger poets and politics (3:21): [listen] MP3
8. poetry and ordinary language (4:08): [listen] MP3
9. terminology in contemporary literary history (4:05): [listen] MP3
10. social aspect of the language movement (1:47): [listen] MP3
11. truncated words (2:44): [listen] MP3
12. poetic practice and technology: engaging texts (3:51): [listen] MP3
13. the anthology process (4:36): [listen] MP3
14. wordplay vs. syntax in "Scheherazade" (4:08): MP3
15. theory and poetry: shared spaces (4:04): [listen] MP3
16. on Charles William Beebe (6:51): [listen] MP3
17. on Russian influences (4:08): [listen] MP3
18. reading from "the Fatalist" (2:09): [listen] MP3


"I teach horizontally, meaning that while I might begin with a fixed idea of what I'm going to teach that day, I let it drift rhizomatically way off topic, often pulling it back when it gets too far. I rely on non-fixed materials to teach this way; the whole world is at my fingertips. Should I go off on a tangent about John and Rauschenberg and their love relationship as expressed in Rauschenberg's bed, an image of that bed is always a click away. From there, we can head anywhere into the non-fixed universe, be it film, text or sound. And of course, that always takes us elsewhere. As Cage says, 'We are getting nowhere fast.'"
that anyone has yet got the imaginative measure of that terrifying day six years ago. Certainly our Tolstoy has not crawled out of the rubble. The closest we have, Don DeLillo, succeeded as an essayist-journalist ("In the Ruins of the Future: Reflections on Terror and Loss in the Shadow of September,” Harper’s, December 2001) but, to my mind, failed as a novelist ("Falling Man"). One reason, perhaps, is that the remembered emotion was instantly buried under a pile of cultural junk.' - Tod Gitlin in his review of Susan Faludi's The Terror Dream (written for
