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Tom Short, an itinerant evangelist brought to campus by the A&M Christian Fellowship, told one student that, because she is Jewish, she is going "to burn in Hell." He told another Jewish student that "Hitler did not go far enough."This was the lead in a November 1996 story about anti-semitism at Texas A&M University.
Shortly after the incident was described on a Holocaust listserv to which I subscribed in those days, a scholar called the leaders of a Christian organization on that campus and then posted a response, which included this comment: "Subscribers may be interested to know that I have spoken with both the adviser and student president of the A&M Christian Fellowship, the organization that invited the antisemitic preacher Tom Short to campus. Both claimed that his comment about Hitler was 'taken out of context,' and that Short 'is not that kind of man.'"
(Well, what "kind" exactly is he?)
I posted these materials to my Holocaust site at the time and it has received more response from viewers than almost anything else.
"I teach horizontally, meaning that while I might begin with a fixed idea of what I'm going to teach that day, I let it drift rhizomatically way off topic, often pulling it back when it gets too far. I rely on non-fixed materials to teach this way; the whole world is at my fingertips. Should I go off on a tangent about John and Rauschenberg and their love relationship as expressed in Rauschenberg's bed, an image of that bed is always a click away. From there, we can head anywhere into the non-fixed universe, be it film, text or sound. And of course, that always takes us elsewhere. As Cage says, 'We are getting nowhere fast.'" 
that anyone has yet got the imaginative measure of that terrifying day six years ago. Certainly our Tolstoy has not crawled out of the rubble. The closest we have, Don DeLillo, succeeded as an essayist-journalist ("In the Ruins of the Future: Reflections on Terror and Loss in the Shadow of September,” Harper’s, December 2001) but, to my mind, failed as a novelist ("Falling Man"). One reason, perhaps, is that the remembered emotion was instantly buried under a pile of cultural junk.' - Tod Gitlin in his review of Susan Faludi's The Terror Dream (written for 
