If someone tries to fence (as it were) this sign, please let us know. It's been stolen--yes, can you believe that?--from the gates of Auschwitz. This sort of thing is the occasion of journalistic writing in which every phrase pounds with irony. This, for instance: "Police have launched an intensive hunt, with criminal investigators and search dogs sent to the grounds of the vast former death camp, whose barracks, watchtowers and ruins of gas chambers still stand as testament to the atrocities inflicted by Nazi Germany on Jews, Gypsies, and others." There's a scene for you. The Polish police have finally gone into Auschwitz with full force--barking dogs, searchlights, etc.--looking for evidence of a crime. I wonder if they'll see any.(Anyway, ponder this: Why--I mean, seriously--are they looking inside the camp? Aren't they as likely to find guilt in the Polish countryside?)
"I teach horizontally, meaning that while I might begin with a fixed idea of what I'm going to teach that day, I let it drift rhizomatically way off topic, often pulling it back when it gets too far. I rely on non-fixed materials to teach this way; the whole world is at my fingertips. Should I go off on a tangent about John and Rauschenberg and their love relationship as expressed in Rauschenberg's bed, an image of that bed is always a click away. From there, we can head anywhere into the non-fixed universe, be it film, text or sound. And of course, that always takes us elsewhere. As Cage says, 'We are getting nowhere fast.'" 
that anyone has yet got the imaginative measure of that terrifying day six years ago. Certainly our Tolstoy has not crawled out of the rubble. The closest we have, Don DeLillo, succeeded as an essayist-journalist ("In the Ruins of the Future: Reflections on Terror and Loss in the Shadow of September,” Harper’s, December 2001) but, to my mind, failed as a novelist ("Falling Man"). One reason, perhaps, is that the remembered emotion was instantly buried under a pile of cultural junk.' - Tod Gitlin in his review of Susan Faludi's The Terror Dream (written for 
