Thanks to Sam Sharf, vigilant newspaper editor and former student of my course on the holocaust, for making me aware of this announcement:
University of Pennsylvania Students Participate in
Fellowships at Auschwitz for the Study of Professional Ethics
Rachel Hadler, Jin Suk Kim, and Karen Revere
Join Groundbreaking Program for Medical and Law Students
New York, NY — Rachel Hadler, Jim Suk Kim, and Karen Revere, medical students in the class of 2011 at the University of Pennsylvania, are among the 30 students chosen by the Fellowships at Auschwitz for the Study of Professional Ethics to participate in its inaugural two week program in New York, Berlin, and Poland for law and medical school students. Fifteen students were chosen from each field. The FASPE programs instruct students on the contemporary ethical issues facing their professions — using the Holocaust and the conduct of their professions in Nazi Germany as a framework for study.
FASPE’s goal is to provide tomorrow’s professional leaders with opportunities to increase their awareness and preparedness for the ethical issues they will confront as professionals. By educating students about the causes of the Holocaust and promoting their awareness of contemporary related issues, FASPE seeks to prevent future collaboration in genocide, racism, anti-Semitism, and xenophobia by professional and religious leaders.
Ms. Hadler said, “The extent to which the ideal of the nameless, faceless, even irrelevant subject remains in our research is frightening….” Mr. Kim said, “The ethics of medicine are so closely intertwined with humanism. Humanism in medical ethics is what allows us to become the true healers for our patients.” Ms. Revere added, “It is uncomfortable to examine our own research methods against those of the Nazis. …to observe that a slippery slope exists, and to urge that we remain ever-conscious of its dangers.”


"I teach horizontally, meaning that while I might begin with a fixed idea of what I'm going to teach that day, I let it drift rhizomatically way off topic, often pulling it back when it gets too far. I rely on non-fixed materials to teach this way; the whole world is at my fingertips. Should I go off on a tangent about John and Rauschenberg and their love relationship as expressed in Rauschenberg's bed, an image of that bed is always a click away. From there, we can head anywhere into the non-fixed universe, be it film, text or sound. And of course, that always takes us elsewhere. As Cage says, 'We are getting nowhere fast.'"
that anyone has yet got the imaginative measure of that terrifying day six years ago. Certainly our Tolstoy has not crawled out of the rubble. The closest we have, Don DeLillo, succeeded as an essayist-journalist ("In the Ruins of the Future: Reflections on Terror and Loss in the Shadow of September,” Harper’s, December 2001) but, to my mind, failed as a novelist ("Falling Man"). One reason, perhaps, is that the remembered emotion was instantly buried under a pile of cultural junk.' - Tod Gitlin in his review of Susan Faludi's The Terror Dream (written for
