scholarly uses of sound recordings of poetry

Below is a partial list of articles that make explicit use of PennSound material (prepared by Charles Bernstein):

Christine Hume, Improvisational Insurrection: The Sound Poetry of Tracie Morris, Contemporary Literature, Volume 47, Number 3, Fall 2006, pp. 415-439 (Article)

Hank Lazer, “Is There a Distinctive Jewish Poetics? Several? Many?: Is There Any Question?” Shofar: An Interdisciplinary Journal of Jewish Studies, Volume 27, Number 3, Spring 2009, pp. 72-90 (Article)

Andy Weaver, Promoting “a community of thoughtful men and women”: Anarchism in Robert Duncan’s Ground Work Volumes
ESC: English Studies in Canada, Volume 34, Issue 4, December 2008, pp. 71-95 (Article)

Charles Bernstein, Objectivist Blues: Scoring Speech in Second-Wave Modernist Poetry and Lyrics: American Literary History, Volume 20, Number 1-2, Spring/Summer 2008, pp. 346-368 (Article)

Natalie Gerber, Structural Surprise in the Triadic-Line Poems
William Carlos Williams Review, Volume 27, Number 2, Fall 2007, pp. 179-186 (Article)

Emily Mitchell Wallace, The MLA Seminar Papers on Williams and Sound
William Carlos Williams Review, Volume 27, Number 2, Fall 2007, pp. 157-159 (Article)

Don Riggs, Lots of City Poets: A Review of Essays on the "Second Generation" New York School: Journal of Modern Literature, Volume 31, Number 3, Spring 2008, pp. 143-149 (Review)

Xiaojing Zhou, "What Story What Story What Sound": The Nomadic Poetics of Myung Mi Kim's Dura” College Literature, 34.4, Fall 2007, pp. 63-91 (Article)

Charles Bernstein, Making Audio Visible: The Lessons of Visual Language for the Textualization of Sound Making Audio Visible: The Lessons of Visual Language for the Textualization of Sound

Jennifer Scappettone, Traffics of Historicism in Jackson Mac Low's Contemporary Lyricism, Modern Philology, Vol. 105, No. 1, Special Issue on Poetics (Aug., 2007), pp. 185-212

Claudia Rankine, ed.; Lisa Sewell, ed., American Poets in the 21st Century: The New Poetics.