CALL FOR PROPOSALS FOR SUMMER 2011: THE STREAM PROJECT: ART ALONG THE NEVERSINK RIVER
In partnership with the Roundout & Neversink Stream Management Program of the Sullivan County Soil & Water Conservation District, the Wildcat Fellowship Program seeks projects of high artistic merit that relate to the Neversink River and its mountainous, forested surroundings.
The successful project will raise awareness of one or more of the following:
--Changing weather patterns that increase flows (winter and fall floods)
--Invasive plants that threaten forest health, water quality and fish habitat
--The value of the wilderness aesthetic (compared to the "tame" landscape)
--The beauty of log jams and gravel bars that move with high water
--Local history as it relates to the Neversink River
We offer a residency of two weeks with accommodation in a guest house, use of a small studio barn and a bicycle. We will provide appropriate publicity and a stipend of $1,000 to cover art supplies and living expenses such as for food suited to the artist's own preparation in the guest-house kitchen. For projects involving any of the construction trades, such as carpentry, a technical consultant is available.
Two-page proposals will be accepted and reviewed between now and February 15th, 2011. The selected fellowship recipient will be notified in early April, 2011.
*Project Parameters*
We particularly seek mixed-media works that are site-specific to the Neversink River, which runs from the Catskill Mountains to the Delaware River and is captured in a reservoir to become drinking water for New York City. The site will be selected in consultation with local landowners and/or municipalities.
The proposal will be for a work that:
--uses natural materials, though perhaps not exclusively
--raises consciousness of the significance and beauty of the environment and the importance of water quality and purity
--may be interactive
--does not harm the environment and is biodegradable yet leaves a presence at the site and in the community
--produces documentation that is suitable for exhibition off-site
--contains a community-building component that invites local participation
The artist is expected to be in residence the full two weeks, is responsible for transportation to and from Claryville, and must be available for a public presentation of the work at the installation site which will include a brief artist's talk with Q-and-A. The artist must also be available for the opening and closing of an exhibit of the documentation.
The artist is responsible for installation and take-down of this exhibit as well as for the creation of necessary signage and wall texts.
TO SUBMIT: Email the following by February 15, 2011 to Curator Patricia Eakins at fabulara@earthlink.net: (1) link to your website with images of your work, (2) two-page proposal, (3) project abstract of 100 words, (4) artist statement, (5) curriculum vitae. All documents must be MS Word documents or PDFs. No phone calls please.
Karen Rauter, Stream Program Coordinator
Rondout & Neversink Basins
Tel. 845-985-2581
catskillstreams.org


"I teach horizontally, meaning that while I might begin with a fixed idea of what I'm going to teach that day, I let it drift rhizomatically way off topic, often pulling it back when it gets too far. I rely on non-fixed materials to teach this way; the whole world is at my fingertips. Should I go off on a tangent about John and Rauschenberg and their love relationship as expressed in Rauschenberg's bed, an image of that bed is always a click away. From there, we can head anywhere into the non-fixed universe, be it film, text or sound. And of course, that always takes us elsewhere. As Cage says, 'We are getting nowhere fast.'"
that anyone has yet got the imaginative measure of that terrifying day six years ago. Certainly our Tolstoy has not crawled out of the rubble. The closest we have, Don DeLillo, succeeded as an essayist-journalist ("In the Ruins of the Future: Reflections on Terror and Loss in the Shadow of September,” Harper’s, December 2001) but, to my mind, failed as a novelist ("Falling Man"). One reason, perhaps, is that the remembered emotion was instantly buried under a pile of cultural junk.' - Tod Gitlin in his review of Susan Faludi's The Terror Dream (written for
