Monday, August 06, 2007
PoemTalk starts talkin'
I am the host of a new podcast series called "PoemTalk." At least we think it'll be a new series. On August 2, we recorded a pilot show and now friends and colleagues are having a listen. Once we've heard their responses, we'll decide whether we will go ahead. The plan is to produce a new show every two weeks, beginning in September. In each show I introduce and play a PENNsound recording of one poem, and then I, with three guest poet-critics, discuss it, its influences and manifestations, for about 30 minutes. For the pilot show I chose William Carlos Williams' 1930s poem "Between Walls" and here is a link to the podcast. Have a listen and let me know what you think.
"I teach horizontally, meaning that while I might begin with a fixed idea of what I'm going to teach that day, I let it drift rhizomatically way off topic, often pulling it back when it gets too far. I rely on non-fixed materials to teach this way; the whole world is at my fingertips. Should I go off on a tangent about John and Rauschenberg and their love relationship as expressed in Rauschenberg's bed, an image of that bed is always a click away. From there, we can head anywhere into the non-fixed universe, be it film, text or sound. And of course, that always takes us elsewhere. As Cage says, 'We are getting nowhere fast.'" 
that anyone has yet got the imaginative measure of that terrifying day six years ago. Certainly our Tolstoy has not crawled out of the rubble. The closest we have, Don DeLillo, succeeded as an essayist-journalist ("In the Ruins of the Future: Reflections on Terror and Loss in the Shadow of September,” Harper’s, December 2001) but, to my mind, failed as a novelist ("Falling Man"). One reason, perhaps, is that the remembered emotion was instantly buried under a pile of cultural junk.' - Tod Gitlin in his review of Susan Faludi's The Terror Dream (written for 
