Friday, January 15, 2010
Yes, I'm obsessed with Hill Street Blues. I apologize. My favorite single image from the show comes from the very end of episode 1 of season 3 ("Trial By Fury"--which won an Emmy for the writing). Frank Furillo, having manipulated the justice system to get the guys guilty of the rape and murder of a nun, realizes (we're meant to think: ironically) that he's committed a sin. Got the criminals but gave into mob justice--listened to the advice of his reactionary SWAT-team adjutant (Howard Hunter) and really angered his liberal-left Public Defender lover (Joyce Davenport). Now he's pulling his car into a parking spot in front of the Catholic Church, the place where Sister Carmella had been raped and killed. He'll go into the confessional, we now realize. But in the moment before we realize that, we get this perspective of him, unlike any visual rendering of a major TV series character I'd seen up to that point (1982). We can barely see him through the urban dark and the bars of the church gate and the statue of Mary standing guard.