Not including the most recent PoemTalk episode on Robert Duncan, below are the 18 most often listened-to episodes in the last month. Creeley seems to be in the lead every month lately. The Duncan show had by far the most listenings this month, but that's mostly because we widely announced its availability during this period; and it's still prominently featured on the front page of the Poetry Foundation site. We'll see where it fits next month. Is this of real interest? value? Not really. Such stats are subject to the vagaries of web site and blog cross-linking. 1. Robert Creeley
2. Adrienne Rich
3. William Carlos Williams
4. Wallace Stevens
5. Ezra Pound
6. Vachel Lindsay
7. Allen Ginsberg sings William Blake
8. Barbara Guest
9. Louis Zukofsky
10. Amiri Baraka
11. Alice Notley
12. John Ashbery
13. Ted Berrigan
14. Jaap Blonk
15. Gertrude Stein
16. George Oppen
17. Charles Bernstein
18. Lyn Hejinian
"I teach horizontally, meaning that while I might begin with a fixed idea of what I'm going to teach that day, I let it drift rhizomatically way off topic, often pulling it back when it gets too far. I rely on non-fixed materials to teach this way; the whole world is at my fingertips. Should I go off on a tangent about John and Rauschenberg and their love relationship as expressed in Rauschenberg's bed, an image of that bed is always a click away. From there, we can head anywhere into the non-fixed universe, be it film, text or sound. And of course, that always takes us elsewhere. As Cage says, 'We are getting nowhere fast.'" 
that anyone has yet got the imaginative measure of that terrifying day six years ago. Certainly our Tolstoy has not crawled out of the rubble. The closest we have, Don DeLillo, succeeded as an essayist-journalist ("In the Ruins of the Future: Reflections on Terror and Loss in the Shadow of September,” Harper’s, December 2001) but, to my mind, failed as a novelist ("Falling Man"). One reason, perhaps, is that the remembered emotion was instantly buried under a pile of cultural junk.' - Tod Gitlin in his review of Susan Faludi's The Terror Dream (written for 
