I love this screenshot of Steve Benson performing at Berkeley last year. With help from Steve himself, and then Mark Lindsay and Jenny Lesser, we at PennSound have just now added two video recordings of terrific Benson improvised (and quasi-improvised) 2009 performances, one at the Bowery Poetry Club in New York and the other at the "Medium and Margin: Multiplying Methodologies and Proliferating Poetics" two-day conference at the University of California at Berkeley (in the Maud Fife Room, Wheeler Hall). The introduction was given by Lyn Hejinian. * Benson PennSound page
* video of Bowery Poetry Club/Segue Series performance
* video of Berkeley performance
"I teach horizontally, meaning that while I might begin with a fixed idea of what I'm going to teach that day, I let it drift rhizomatically way off topic, often pulling it back when it gets too far. I rely on non-fixed materials to teach this way; the whole world is at my fingertips. Should I go off on a tangent about John and Rauschenberg and their love relationship as expressed in Rauschenberg's bed, an image of that bed is always a click away. From there, we can head anywhere into the non-fixed universe, be it film, text or sound. And of course, that always takes us elsewhere. As Cage says, 'We are getting nowhere fast.'" 
that anyone has yet got the imaginative measure of that terrifying day six years ago. Certainly our Tolstoy has not crawled out of the rubble. The closest we have, Don DeLillo, succeeded as an essayist-journalist ("In the Ruins of the Future: Reflections on Terror and Loss in the Shadow of September,” Harper’s, December 2001) but, to my mind, failed as a novelist ("Falling Man"). One reason, perhaps, is that the remembered emotion was instantly buried under a pile of cultural junk.' - Tod Gitlin in his review of Susan Faludi's The Terror Dream (written for 
